event

museums at night

This is the weekend of Museums at Night 2014.  Most of the Cambridge University museums arranged something for the evening. I had imagined moody atmospheric lighting with dramatic shadows, so I was keen to take photographic advantage of the unusual light, not appreciating that we have, in fact, moved on from the dark evenings of winter to longer summer days. Indeed, we’re only a month away from the longest day!

So I was fortunate that my museum of choice, the Museum of Classical Archaeology, is relaxed about photography (though not tripods) and has collections that are far less sensitive to atmospheric conditions than many museums. It can therefore allow in far more daylight than most. As a result, I spent a very enjoyable few hours yesterday taking photographs in the gentle light of the setting sun as it entered the said museum at a shallow angle. The Roman, Greek and Egyptian sculptures, casts and especially the friezes looked amazing with just a hint of light bringing out the shapes, as though it had all been carefully planned. And who am I to suggest that it hadn’t?

With all of the historical objects around me, it was reminiscent of the stunning Neolithic cairn at Maes Howe on Orkney where the entrance tunnel to the tomb lines up with the setting sun on the winter Solstice, thus illuminating the rear wall of the central chamber. I’m certainly not suggesting that the museum’s architect aligned the entire building and roof light purely for the setting sun on Museums at Night night, but it would be impressive if s/he had.

It seems fitting to end with a quote from Historic Scotland about the significance of Maes Howe and the nearby sites of Skara Brae:

“The monuments at the heart of Neolithic Orkney and Skara Brae proclaim the triumphs of the human spirit in early ages and isolated places. They were approximately contemporary with the mastabas of the archaic period of Egypt (first and second dynasties), the brick temples of Sumeria, and the first cities of the Harappa culture in India, and a century or two earlier than the Golden Age of China. Unusually fine for their early date, and with a remarkably rich survival of evidence, these sites stand as a visible symbol of the achievements of early peoples away from the traditional centres of civilisation … Maes Howe is a masterpiece of Neolithic peoples. It is an exceptionally early architectural accomplishment. With its almost classical strength and simplicity it is a unique survival from 5000 years ago. It is an expression of genius within a group of people whose other tombs were claustrophobic chambers in smaller mounds.”

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Sunday, May 18th, 2014 event, museum, sculpture No Comments

monomania at cambridge junction

I’m looking forward to Saturday’s Monomania Festival at Cambridge Junction, though that’s almost despite the advance publicity, which describes the festival as “a one-day international festival of solitary and obsessive creativity…” making it sound unfortunately like unhealthy teenage bedroom practices. The publicity goes on to add:

“…from meticulousness, self-sufficiency and DIY enthusiasm to all-consuming compulsions, rituals and isolation, solo artists across live art, live music, installations and sound explore the ways our personal obsessions and fixations pervade art and everyday life.”

which isn’t necessarily much better. But then it lists:

“See robots, balancing rocks, listen to pins drop, house music on Casio keyboards, indoor bamboo, Super 8 films, light controlled speakers, a telescope, crafted folk, experimental noise, and everything in between…”

So all in all, I’m still glad I’ve already bought my ticket.  I’m sure I’ll be writing more about this after the event.

Wednesday, March 5th, 2014 art, digital art, event, Exhibitions, Uncategorized No Comments

transforming a room into a responsive, fluid architecture fed by ambient noise

How cool would it be if a room could physically change in response to events? I remember Bill Gates writing in his book ‘The Road Ahead’  about the house he built where sensors adjusted lights and displays in rooms according to who entered them and their previously stored preferences, but I’m not referring to that. That was published way back in 1995, in the days of Windows 95, before Windows ME, XP and the execrable Vista or the currently bad Windows 8. It was the year when the Internet really entered public consciousness. So a lot has happened in the nineteen years since then. Even so, the very thought of a “responsive fluid architecture fed by ambient noise”  is probably enough to turn Bill weak at the knees. Seeing it for oneself would have involved travelling to the Mapping Festival in Geneva earlier this year.  The festival looks really exciting, though. As usual, I’ll keep watching Create Digital Motion to see what’s unfolding.

Sunday, January 5th, 2014 event, generative art No Comments

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